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Llinos's Music Commissions [Closed]


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Llinos's Music Commissions [Closed]
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RE: Llinos's Music Commissions [OPEN] |
#9
09-24-2016, 12:48 AM
(This post was last modified: 09-24-2016, 01:19 AM by Llinos.)
Next, we have our next commission with live instruments, this one featuring cello and violin and I looooove that we got to work with cello, it's one of my favorite instruments!  This theme is for the FFXIV character Rosalin Menoly.

The theme was meant to explore her story.  When the Calamity took her life, her family, her home, that should have been that.  But it wasn't.  Shards that pierced her, embedded in her, pulsed with energy, awakening her...and this is the aftermath and after.

The cello pulses erratically, simulating the unstable energies bringing her back to life, the violin is the devastation of realizing that everything she knew and loved is gone and she's alone.  Rosalin Menoly moves about as if not part of the realm, she's a ghost, lingering when she feels she shouldn't be.  The theme goes on to explore her trying to discover what her second chance means, the slow and steady appreciation that there is still beauty left, and the shame and guilt of feeling she doesn't deserve it.  The song resolves when she finally determines she is not a ghost, but a guardian and if she must go on it will be for selfless purposes, protecting what beauty and life is left after the Calamity.  We wanted to convey a melancholy and haunted feeling in the sound yet keep elements of refinement and grace.  Rosalin comes from a distinguished background and even though it's gone, that pride in her past lingers in her bearing, how she gracefully shoulders on despite how difficult it can be when she barely feels human or connected to the world around her.  But there's warmth there, in what connections and beauty she finds.


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Show Content
Song Info: Rose from the Ashes (Rosalin's Theme)

Patron: Rosalin

Styles: Cinematic, Symphonic, Orchestral
Featured instruments: solo cello, solo violin, solo flute, full orchestra, bespoke instruments

The overall approach for Rosalin's theme was to establish the feeling of someone detached; an observer, a ghost, and then gradually introduce the idea that she wants to be more, and finally, that she does become more. This simple framework was then chiseled with the details of character; specifically, the unique circumstances of her current existence and the effects those circumstances have had on her life.

We begin with a harmonizing of two sounds that are special right off the bat: a solo cello playing "sul ponticello" (where the cellist bows on the bridge of the instrument, producing a scratchy, unstable pitch with lots of harmonic overtones) along with a unique string section playing "super sul tasto" (playing on the fingerboard, producing a soft and whispy tone). The strings introduce a cold, mysterious melody at 0:11 while the solo cello's unstable, powerful depth surges from 0:27 to 0:31 before darkly reprising the melody. This is meant to evoke the burning sensation of the aether that she must have felt when she first awoke to her new life.

At 0:50, the cello and low strings recede to reveal a fragile and questioning violin tremolo, followed by the first appearance of Rosalin's melody, played by the solo violin at 0:54. The melody repeats at 1:05, accompanied by an emotional string swell and the reappearance of the solo cello, which harmonizes with the violin. This section of the song establishes Rosalin's overwhelming guilt at being the only survivor from the Calamity after everyone she knew and loved died. The rush at which the solo violin sweeps over the listener is meant to evoke that sickening feeling you get when a sudden surge of uncontrollable tears overtakes you, as realization of what happened first hits Rosalin.

From 1:22 - 1:50, the song travels into an area of uncertainty and detachment with chords evoking questioning and doubt. This is a reflection of Rosalin as a ghost; watching the world move on, lingering, unsure of where she fits into the bigger picture.

But at 1:50, we are introduced to a rather sudden key change; the two-chord progression pivots between one of tension and uncertainty (1:50 and 2:02) and one of wonder and warmth (1:56 and 2:08). This is a turning point that ultimately resolves toward the warmth, as we arrive at Rosalin's current state at 2:14. The solo flute is imbued with a certain curiosity while the backing instruments provide the context of someone who is rediscovering the world for the first time with new eyes: companionship with others, short moments of happiness and humor, and perhaps even a bit of romance.

At 2:37, however, that same solo flute stealthily slips back into an ambiguous, if not hope-sapping line of thinking as cold strings join in to reinforce the fact that the ghosts of her past are not so easily forgotten.

At 3:06, we hear Rosalin's melody once again, but alone and surrounded by the tension provided from the strings. It is a crucial moment, pitting Rosalin's desire to be more than just a ghost against the crushing guilt she still cannot escape.

At 3:12, we are preparing for a resolution, one way or the other. Tense tremolo strings appear, we collectively hold our breath, and at first the descending progression seems to hint that Rosalin will not succeed.

But then, at 3:20, powerful strings arise to accompany the violin's soaring re-statement of Rosalin's melody, with triumphant brass appearing at 3:31 to signify that Rosalin has not only transcended her existence as a ghost, but become more than what she was before: a guardian for the ones she now calls friends.

The song finishes at 3:55 with a warm closing chord signifying Rosalin having found her purpose at last.

It was an extreme pleasure to work on a character theme that not only provided a wealth of emotional depth, but also the unique aspect of one who by nature is set at a distance and must find a way to reconnect with the world and become something more in the process. And as always, it was fun attempting to evoke all of those aspects in a musical way using various techniques and colors.
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Messages In This Thread
Llinos's Music Commissions [Closed] - by Llinos - 03-15-2016, 03:33 PM
RE: Llinos's Music Commissions - by Llinos - 03-15-2016, 03:34 PM
RE: Llinos's Music Commissions - by Llinos - 04-01-2016, 07:32 PM
RE: Llinos's Music Commissions - by Llinos - 05-26-2016, 03:57 AM
RE: Llinos's Music Commissions [OPEN] - by RiniKett - 05-26-2016, 10:26 AM
RE: Llinos's Music Commissions [OPEN] - by Llinos - 07-09-2016, 04:27 PM
RE: Llinos's Music Commissions [OPEN] - by Raeje - 07-09-2016, 05:46 PM
RE: Llinos's Music Commissions [OPEN] - by Llinos - 09-21-2016, 08:15 PM
RE: Llinos's Music Commissions [OPEN] - by Llinos - 09-24-2016, 12:48 AM

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